This invisible city which author Italo Calvino describes also lends its name to I Buried Paul‘s third release. Eutropia, the city, mirrors itself in several instances – sometimes inhabited, sometimes not – in through which its dwellers constantly move yearning for a change, which ultimately never happens due to the fact that their lives merely repeat themselves in different roles. Eutropia, the album, was designed as a soundtrack for possible futures – sometimes utopian, sometimes dystopian – that may occur isolated or simultaneously, yearning for never to repeat themselves, afraid of their own traces and trails, and inevitably swallowed by chaos.
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