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They take the inspiration in occult melodies and maniacal post-punk, in pop-muic and religious literature; they dip swift pain-hymns into a viscid drone and prayers. Overdriven guitars and voice break hardly thru the beat or on the contrary take it up. Young The Stooges could have sounding like that if it happen for them to be in Russia these days. But just this music makes teenagers from eastern part of Europe shake their heads, fuck and write "suicide" on walls of school-loo. The story repeats itself but in another place. It's 1969 baby.
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Ruka
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Wo Woo Rec
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Fikcii I
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Fikcii II
Sebastian says :
Combining the thrilling intensity of Post-Rock/Ambient quartette Our
Ceasing Voice and the raw power of Vienna's Post-Metal pioneers Satory,
this split 7" marks a blood-tingling release that proves the
Austrian bands' talents by opening the door to a world full of
melancholy and despair.
For Darkness Fears The Light poses the deeply moving return of Our
Ceasing Voice after the success of their debut album 'When the Headline
Hit Home'. Striking vocals and powerful drumming enable the band to dare
the leap and take their ambient based tunes a step further, while
retaining the outfits's full melodramatic force.
Originated in a time of change, Satory's track, The Translator,
defines an important turning point in the story of the beast that was
introduced in their 2009 EP. Expressive heaviness and valleys of hope
constitute their new sound, bringing the powerful machinery back to the
post-metal front.
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Split 7"
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Bandcamp
Maybe it's a bad
idea to start a description of a piece of music by admitting you
don't know how to describe it. But we'll be honest with you: this
album synthesizes so much of our taste that it's like trying to
describe the taste of water to a fish. Part crooning electro-pop,
part drone, half found-sound and all original, "Towards Your Own
Worlds" from this frequent Zach Hill collaborator is a remarkable
achievement in the abstract and concrete.
Cassette with download is out November 1st.
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Towards Your Own Worlds
Brecht says :
(bass) guitars, loop recorders, effect units, closed-circuit feedback & sequenced beats.
Physical copies can be bought on shows or here. Four tracks on mini-cd with handmade artwork, each sleeve is unique. Limited to 75 copies.
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Fragmented structures EP
Andrii says :
This
electroacoustic improvisational jam session features two Portuguese
experimental musicians and is dedicated to the Macaense people and their
culture, being a mix of Chinese and Portuguese cultures.
Samuel Uffus – altered bass guitar, diatonic accordion, Roland Juno-60, Roland SH-201, analog effects;
Cage Cabarrett – Korg MS-20, Moog Little Phatty II, Roland Juno-60, Yamaha CS-5, ARP Axxe, Roland SH-101, analog effects.
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Shambala Shambala
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Turbinicarpus Records
Ermo is a young music project from Portugal. We produce a delicate folk, that some friends tagged as post-folk.
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Promo
11 live recordings from the 14-day Infinite Rainbow Bridge tour that
Pregnant Spore did with Yellow Crystal Star during May and June, 2011.
This features live collaborations from Saint Louis's Jizzgurgler and
Philadelphia's Cincinnatus C.
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Breath Of A Dragon
A digital release of 7 shows performed by Pregnant Spore on this past
January tour. The Detroit show was left out because it sucked (issues
with the sound system and I... made for a weird night). Also, the Dayton
show was cancelled. So what is left is 7 field recordings (decent
quality for a little MP3 recorder). Most performances consisted of
lyrics by the NJ band "Prawn" near the end of each set, and then for the
Chicago show, you'll hear some Bjork lyrics.
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Preggotour
I rarely contribute to or put out tapes this long. However, the approach
I wanted to take toward this recording specifically called for length.
This tape is centered around the painstakingly slow process of having no
choice but to mentally let go of something held dear. One of the
elements of healthily coping with loss is to accept what is not in one's
power to change. To manifest this concept audibly, I decided to let the
instruments play themselves while I stepped back and "accepted" what I
was hearing. Before recording, I routed and tweaked electronics so that
there would be constant, out-of-sync, mysterious, apparent audible
movement when initiated; oscillation and waveforms soaring against and
within each other at a sluggish rate. Although I feel that these
recordings could have been better composed and more dynamic, I let
things operate naturally in order stay true to the concept. What you
will hear on this tape is a form of nature uniquely taking it's course.
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Letting Go Isn't Living With The Heartache-filled Dreams Of What Might Have Been
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Rainbow Bridge
I spoke with Yasutoshi, the man behind Government Alpha, about the
recent Earthquake in Japan. He described it as "a terrible shaking!" The
same could be said to describe the material he submitted to Rainbow
Bridge for this release. It is almost as if he manifested the recent
Japanese natural disasters in noise-form months before they occurred.
This tape is plagued with swirling, swarming, scathing, oscillating
textures that do not follow most harsh noise trends. These sounds seem
to hurl you into a spiral of head-melting chaos more so than they crush
your skull. Side B is a live performance recorded in June of 2010 is
even more dynamic and diverse, including some nutty screaming from
Yasutoshi's own vocal chords. This material is strange, ruthless, and
the more I listen to it, the more I love it. Japanoise at it's finest,
ladies and dicks.
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Somnambulant
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Rainbow Bridge
